<img src='' title='Event Category: Theatre' alt='' id='templ_icon_' width='' height='' /> Event Category: Theatre

Run At It Shouting presents

RUN AT IT LAUGHING - 10 new comedies by Mark Ravenhill

A world where everyone is a fool. Identities are mistaken and swapped. Misunderstandings
abound. Sex and money are on everyone’s mind. And somehow everything works out for
the best.

Bawdy, farcical and humane, Run At It Laughing is an epic celebration of comedy and our
shared humanity.

Based on scenarios first published in Italy in 1611, Run At It Laughing is a cycle of 10 90-minute comedies presented as rehearsed readings over two days.

Each play can be enjoyed by itself or as part of the sequence.

Playwright Mark Ravenhill (whose work has been produced by the RSC, National Theatre
and Royal Court) has written all 10 new plays and directs over 100 actors, as part of
Run At It Shouting’s professional actor development.

All profits from this event will be donated to the Nia Project, which delivers cutting edge
services to end violence against women and children.

To book for individual performances click HERE.

Run At It Shouting presents

RUN AT IT LAUGHING - 10 new comedies by Mark Ravenhill

A world where everyone is a fool. Identities are mistaken and swapped. Misunderstandings
abound. Sex and money are on everyone’s mind. And somehow everything works out for
the best.

Bawdy, farcical and humane, Run At It Laughing is an epic celebration of comedy and our
shared humanity.

Based on scenarios first published in Italy in 1611, Run At It Laughing is a cycle of 10 90-minute comedies presented as rehearsed readings over two days.

Each play can be enjoyed by itself or as part of the sequence.

Playwright Mark Ravenhill (whose work has been produced by the RSC, National Theatre
and Royal Court) has written all 10 new plays and directs over 100 actors, as part of
Run At It Shouting’s professional actor development.

All profits from this event will be donated to the Nia Project, which delivers cutting edge
services to end violence against women and children.

To book a Weekend Pass to all performances click HERE.

Flabbergast Theatre return to Wilton’s with their award-winning approach to the classics, they bring a fresh and innovative outlook, embracing physicality whilst celebrating the verse and bringing musicality and simplicity to the storytelling. This is a tragedy encompassing laughter and tears, beautiful poetry, bawdy jokes and some impressive swashbuckling to boot, expect live music, clowning, mask work and a thoroughly enjoyable evening.  

 

‘If you like your Bard brought thoroughly up to date with muscular direction and full-blooded commitment from those on stage then this will give you much pleasure.’ ★★★★ Fairy Powered Productions

‘Romeo and Juliet as you have never seen them before’ ★★★★ A View From the Stalls

‘An excellent production… innovative and moving’ ★★★★★ Behind The Arras

 

Creative Team 

Director – Henry Maynard 
Musical Consultant – Nick Hart 
Lighting Design – Rachel Shipp
Design & Costume – Henry Maynard 
Choreography – Briony O’Callaghan 
Associate Directors – Briony O’Callaghan & Simon Gleave 

Cast

Nadav Burstein – Tybalt
Daniel Chrisotomou – Duke/Friar Lawrence/Peter
Vyte Garriga – Nurse
Simon Gleave – Mercutio
Lennie Longworth – Juliet
Henry Maynard – Lord Capulet/Benvolio
Kyll Thomas-Cole – Romeo

www.flabbergasttheatre.co.uk
Instagram: FLABBERGAST_THEATRE
Facebook: FLABBERGASTTHEATRE

The Duke’s Theatre Company presents  

MACBETH  

By William Shakespeare  

Director – Robert Shaw Cameron 
Designer – Jessica Curtis  
Producers – Bobby Delaney and Laura Matthews  

The Dukes Theatre Company‘s production of Macbeth offers a dynamic reimagining of Shakespeare’s classic tragedy. Known for their bold and innovative interpretations, the company brings a contemporary edge to the dark tale of ambition, murder, and madness. Director Robert Shaw Cameron (Coronation Street, Regents Park Open Air Theatre, Sheffield Crucible) and designer Jessica Curtis (Hampstead Theatre, Almeida Theatre, Royal National Theatre) make a production with a cast of seven industry leading actors. With a strong focus on the psychological unravelling of the protagonists, this adaptation takes The Duke’s into a new era of open-air Summer touring.  

Hambletts present 

Dear Loll: A Wartime Marriage in Letters

“I thought I might have to go on without you” 

Called up to fight in World War II in the summer of 1940, the Manchester Guardian journalist Gerard Fay joined the army as an ordinary soldier while his wife Alice or ‘Loll’ (short for Lollipop) remained in the north of England.  

On the 80th Anniversary year of VE Day, Dear Loll brings to the stage the candid and compelling correspondence between the young couple. 

The thousands of intimate letters are their only means of communication and are full of drama, humour and emotion. Writing virtually every day, sometimes twice a day, their correspondence over four years is previously unheard testimony to the experiences of ordinary people in World War II and gives a fascinating insight into how one couple survived, both physically and mentally. They describe the warp and weft of a marriage and the loneliness of separation – a grief that was shared by tens of thousands.  

Told by two leading actors, with live onstage music from the Le Page Ensemble 

Adapted by Rosanna Greenstreet and Matthew Fay 

Director Judy Reaves 

Music arranged by David Le Page 

No one knows who the killer is, not even the cast!

Following multiple five-star sell-out runs at the Edinburgh Fringe, CSI: Crime Scene Improvisation returns with another rip-roaring crime comedy made up entirely on the spot.

Who? What? How? The choice is yours in this fully-improvised, witty and absurd murder mystery where the audience creates the crime. 

Solving made up crimes for over 10 hilarious years! 

WINNER: Colchester Fringe 2024: ‘The Comedy Award’ 
WINNER: Leicester Comedy Festival 2023:  ‘Best Improvisation’ Award 

Website: crimesceneimpro.com 

Twitter: twitter.com/crimesceneimpro 

Instagram: instagram.com/crimesceneimpro 

The Myth, Legend and Legacy of Bond 

Presented by James Seabright

Written and performed by Cyril Blake 

Directed by Matthew Parker 

 

Cyril Blake’s sell-out hit from the Edinburgh Fringe explores the myth, legend and legacy of James Bond – and what it all means to guys trying to find their way through life and love. Stephen has always wanted to be James Bond. He’s got a tux, a fancy watch and he shakes everything he drinks. But is this a good idea? Bond is a misogynist dinosaur, right?  

Journey through 60 years of Bond and 30 years of Stephen as we find out if he can fulfil his father’s idea of masculinity without becoming toxic. 

This sell-out hit is directed by nine-time nominee and two-time OFFIE winner, Matthew Parker and stars Cyril Blake as Stephen.  

★★★★★ “Blake’s brilliance shines, seamlessly blending the lines between performer and character.”  The Nerd Party 

★★★★ “Explores the James Bond films, and life from being grandson of a coalminer to sharing Bond films with his father.” Fringe Fan 

★★★★★ “Hilarious and moving. Exceptional!” Calvin Dyson, James Bond Expert 

X/Facebook/Instagram: @bondingshow 

Presented by Hambletts

Harriet Walter brings George Eliot to bold and dramatic life.

Harriet Walter tells George Eliot’s story through her great novels, letters, journals, poetry and journalism. In tune with her radicalism, Eliot’s own words are woven with music by contemporary singer-songwriters – from Kate Bush to Florence Welch and PJ Harvey – performed by Eurovision singer-songwriter, SuRie and Orchestra of the Swan.

Harriet Walter celebrates her long, acclaimed association with George Eliot – through film, TV and radio – in a virtuoso performance that gives voice to Eliot, her immortal characters, and the people in her life. The second richest woman of her day (after Queen Victoria), Eliot’s great works – Middlemarch, The Mill on the Floss, Adam Bede – and clear vision resonate as powerfully today.

Acclaimed singer-songwriter, SuRie performs with Harriet. Internationally renowned for classical, pop and musical theatre, SuRie represented the UK at Eurovision 2018 and won the Offie for Lead Performance in a Musical in 2024 for her portrayal of Annie Oakley in Annie Get Your Gun.

Orchestra of the Swan’s Musical Director, David Le Page captures Eliot’s timeless genius in a dazzling music programme that features contemporary, female singer-songwriters. The Swan’s musicians perform on-stage, alongside SuRie. The script is written and adapted by Deirdre Shields (Red Sky at Sunrise: Laurie Lee in Words & Music).

Harriet Walter appears subject to availability

Presented by Regeneration Theatre

By William Shakespeare

Edited by Fiona Laird (RSC, National Theatre)

 

Only 90 minutes long.

‘Mark Lockyer has absolute commitment and mastery of this timeless classic’ Rufus Norris. Artistic Director, Royal National Theatre

With all the characters played by one actor, stunningly simple staging, and all the language we love,
we understand the play better than ever before.

Hamlet the tortured prince, mystified by his mother’s behaviour, grieving the death of his father and
feeling the weight of responsibility to his country, tries to make sense of the world.

At turns ingenious, funny, poignant – and always entertaining, this Hamlet will move you and remain
in your memory for a long time.

‘I cannot remember receiving Hamlet with more open ears and more abandon’ Rufus Norris, Artistic
Director, Royal National Theatre.

 

In support of the National Youth Arts Trust

 

 

 

 

Presented by James Seabright

By Apphia Campbell 

Inspired by the life of Nina Simone, and featuring many of her most iconic songs performed live. 

Apphia Campbell’s acclaimed play follows a successful singer and civil rights activist as she seeks redemption after the untimely death of her father. She reflects on the journey that took her from a young piano prodigy destined for a life in the service of the church, to a renowned jazz vocalist at the forefront of the Civil Rights Movement. 

The show has toured the UK to standing ovations, played sell-out seasons in Shanghai, New York, Edinburgh and the West End of London and won the Best Theatre Award at Adelaide Fringe 2024.